Nō Theatre
Nō Theatre forms a central focus of his research, explored through fieldwork, publications, and analysis of its ritual, pedagogical, and symbolic structures.
Asian Theatres
A comparative approach to the major performance traditions of Asia — Japan, China, India, Indonesia — with attention to anthropological, historical, ritual, and stylistic aspects, as well as the contemporary transmission of embodied knowledge.
Robotics
An investigation into the use of robotic systems in performative contexts, through interdisciplinary experimentation that questions the very concept of stage presence and the nature of the performing body.
Artificial Intelligence
An exploration of the interactions between AI and live performance, with particular focus on the dramaturgical, relational and aesthetic dimensions of the artificial body on stage.
Cultural Marketing
Study of the processes of valorisation and dissemination of artistic and performative practices, with a focus on institutional contexts, festivals, and cultural enterprises.
Performing Arts Management
Analysis of management and production models in the performing arts sector, from project design to distribution, with attention to the balance between artistic content and sustainability.
Anthropology
An anthropological perspective applied to performative contexts, with a focus on symbolic systems, social roles, and ritual relationships embedded in performance.
Japan
A key reference point in both research and teaching, explored through traditional performance forms and contemporary artistic and technological experimentation.
Asia
A broad and plural area of investigation, approached through its theatrical and performative cultures, scenic devices, and contemporary transformations between tradition and innovation.
