Maurizio Ascari; Gabriella Elina Imposti, Letteratura e altri mondi: generi, politica, società, Bologna, LILEC - Dipartimento di Lingue, Letterature e Culture Moderne dell’Università di Bologna, 2021, pp. 314 (QUADERNI DEL DOTTORATO – DIPARTIMENTO LILEC). [curatela]Open Access
Maurizio Ascari; Silvia Baroni; Sara Casoli (a cura di): Cristina Trinchero, Federica Ambroso, Sara Casoli, Barbara Pezzotti, Silvia Baroni, Emile Guyard, Narrazioni della mobilità. La svolta transnazionale e transculturale del poliziesco europeo, Bologna, Dipartimento di Filologia Classica e Italianistica – FICLIT, 2021, pp. 194 . [curatela]Open Access
Ascari, Maurizio, “The present is the only time: Mansfield’s ‘Marriage à la Mode’ and the inability to change”, in: Enduring Presence: William Hogarth’s British and European Afterlives, Book 2: Image into Word, Oxford - Berr, Peter Lang, 2021, pp. 131 - 142 (CULTURAL INTERACTIONS: STUDIES IN THE RELATIONSHIP BETWEEN THE ARTS) [capitolo di libro]Open Access
Maurizio Ascari, Amnesia e fotografia in Recalled to Life, un thriller psicologico di fine Ottocento, in: Non ricordo: Amnesie, vuoti di memoria, rimozione nella letteratura e nel cinema noir, Fano, Aras, 2020, pp. 109 - 122 [capitolo di libro]
Ascari, Maurizio, Counterhistories and Prehistories, in: The Routledge Companion to Crime Fiction, London, Routledge, 2020, pp. 22 - 30 [capitolo di libro]
Maurizio Ascari (a cura di): Nils Clausson, Stefano Serafini, Antoine Dechene, David C. Wright Jr, Solange Garnier-Fox, Rachel Schaffer, Charlotte Beyer, Malinda K. Hackett, Soohyun Cho, Sarah France, Genre B(l)ending - Crime’s Hybrid Forms, Jefferson, McFarland, 2020, pp. 128 . [curatela]
Maurizio Ascari; Serena Baiesi; David Levente Palatinus, Gothic Metamorphoses across the Centuries: Contexts, Legacies, Media, Bern, Peter Lang, 2020, pp. 241 . [curatela]
Maurizio Ascari, Introduction: Make It New, but Don’t Forget, «CLUES», 2020, 38, pp. 5 - 11 [articolo]
Ascari, Maurizio, Light into Darkness: the Gothic Roots of Hitchcock’s Spellbound (1945), in: Gothic Metamorphoses across the Centuries: Contexts, Legacies, Media, Bern, Peter Lang, 2020, pp. 181 - 197 (CRITICAL PERSPECTIVES ON ENGLISH AND AMERICAN LITERATURE, COMMUNICATION AND CULTURE) [capitolo di libro]Open Access
Maurizio Ascari; Serena Baiesi; David Levente Palatinus, Why Yet Another Book on the Gothic?, in: Gothic Metamorphoses across the Centuries: Contexts, Legacies, Media, Bern, Peter Lang, 2020, pp. 9 - 31 [introduzione]
Maurizio Ascari, A young aesthete in search of the primeval, in: Katherine Mansfield, In the Botanical Gardens, Wellington, Friends of the Wellington Botanic Garden, 2019, pp. 15 - 19 [postfazione]
Maurizio Ascari, Recensione a: Alice and Pinocchio from Local to Glocal, «LINGUAE &», 2019, 18, pp. 107 - 110 [recensione]Open Access
Maurizio Ascari, Recensione a: Barbara Pezzotti, Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series: Murder in the Age of Chaos, «STUDIES IN CRIME WRITING», 2019, 2, pp. 1 - 1 [recensione]
Maurizio Ascari, Beyond realism: Ian McEwan’s Atonement as a Postmodernist quest for meaning, «RENASCENCE», 2019, 71, pp. 3 - 19 [articolo]
Ascari Maurizio, Criminal Minds: Reassessing the Origins of the Psycho-Thriller, in: Criminal Moves: Modes of Mobility in Crime Fiction, Liverpool, Liverpool University Press, 2019, pp. 95 - 112 [capitolo di libro]
