- Docente: Giuliana Benvenuti
- Credits: 6
- SSD: L-FIL-LET/11
- Language: Italian
- Teaching Mode: Traditional lectures
- Campus: Bologna
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Corso:
Second cycle degree programme (LM) in
Italian Culture and Language for Foreigners (cod. 0983)
Also valid for Second cycle degree programme (LM) in Modern, Post-Colonial and Comparative Literatures (cod. 0981)
Learning outcomes
The student is familiar with different textual expressions, main authors and general lines of the critical debate of literature in the Italian language in the contemporary context. Knows how to use methodologies for the analysis and interpretation of literary text.
Course contents
The course has a duration of five weeks, equal to 30 hours of lectures.
Two weeks will be devoted to introducing the authors and the lines of development of the twentieth-century Italian novel. In the following weeks, will be deepened the analysis of the texts, focusing on the forms of the fictional narrative that reread, rewrite, and reinterpret the events related to history.
Readings/Bibliography
Leonardo Sciascia, La strega e il capitano, Adelphi, 1999
Sebastiano Vassalli, La chimera, Rizzoli 2014
Umberto Eco, Il nome della rosa, Bompiani, 2020
Il nome della rosa, regia di Jean-Jacques Annaud, 1986
Il nome della rosa - serie TV, regia di Giacomo Battiato, 2019
Students will study the following critical tests:
Sergia Adamo, La giustizia del dimanticato. Sulla linea giudiziaria nella letteratura italiana del Novecento, in Postmodern Impegno, cura di P. P. Antonello, F. Mussgnug, Bern, Peter Lang, pp. 259-287.
Bruno Pischedda, Eco: guida a Il nome della rosa, Carocci, 2016.
Leonardo Sciascia, La strada e il capitano, Adelphi, 1999
Sebastiano Vassalli, La chimera, Rizzoli 2014
Umberto Eco, Il nome della rosa, Bompiani, 2020
Il nome della rosa, regia di Jean-Jacques Annaud, 1986
Il nome della rosa - serie TV, regia di Giacomo Battiato, 2019
Testi critici da studiare:
Sergia Adamo, La giustizia del dimanticato. Sulla linea giudiziaria nella letteratura italiana del Novecento, in Postmodern Impegno, cura di P. P. Antonello, F. Mussgnug, Bern, Peter Lang, pp. 259-287.
Bruno Pischedda, Eco: guida a Il nome della rosa, Carocci, 2016.
The syllabus remains unchanged for non-attending students. Additional exam preparation materials will be made available on the Virtual platform that are also useful for those who did not attend class.
Teaching methods
The lessons are, most of all, lectures held by the teacher. During the lessons, students will be encouraged to participate. We will use also some tools to support teaching, especially power-point. Movies and documentaries will be shown for the contextualization of readings scheduled. Finally, scholars will be invited for some specific issues and for the presentation of some texts and authors.
Assessment methods
The oral test consists in an oral interview which has the aim of evaluating the critical and methodological ability of the students. The students will be invited to discuss the tests on the course programme. The student must demonstrate an appropriate knowledge of the bibliography in the course programme.
Those students who are able to demonstrate a wide and systematic understanding of the issues covered during the lessons, are able to use these critically and who master the field-specific language of the discipline will be given a mark of excellence.
Those students who demonstrate a mnemonic knowledge of the subject with a more superficial analytical ability and ability to synthesize, a correct command of the language but not always appropriate, will be given a ‘fair' mark.
A superficial knowledge and understanding of the material, a scarce analytical and expressive ability that is not always appropriate will be rewarded with a pass mark or just above a pass mark.
Teaching tools
In addition to face-to-face lectures, given by the course chair, audiovisual tools will be used to support teaching. Scholars who can bring a significant contribution to the in-depth study of the topics on which the course focuses will also be invited.
Office hours
See the website of Giuliana Benvenuti