- Docente: Gino Scatasta
- Credits: 9
- Language: Italian
- Teaching Mode: Traditional lectures
- Campus: Bologna
- Corso: First cycle degree programme (L) in Foreign Languages and Literature (cod. 0979)
Learning outcomes
At the end of the course students should know the general outline of literary history. They shall be able to read, understand and translate texts from English into Italian and be acquainted with the methods and analytical tools that will enable them to interpret the works of the main authors, contextualising them within their cultural and historical period.
Course contents
(Re)reading Shakespeare
In the history of British literature from its origins to the end of the XVII century, Shakespeare’s works are undoubtedly at the centre of the canon. The course will analyze his most famous plays, showing how and why they can be interpreted in different ways, and their continuous request to be considered not only as literary works but also as plays that need to be performed.
Readings/Bibliography
Students will read three plays:
Richard III
Romeo and Juliet
A Midsummer Night's Dream
The Merchant of Venice
Henry V
Hamlet
Julius Caesar
King Lear
Macbeth
Othello
The Tempest
Critical texts
Harold Bloom, “Shakespeare, Center of the Canon” in The Western Canon, London, Macmillan, 1995, pp. 45-75
Rocco Coronato, Leggere Shakespeare, Roma, Carrocci, 2017
Margreta De Grazia and Stanley Wells, edited by, The Cambridge Companion to Shakespeare, Cambridge, Cambridge University Press, 2001: E. Honigmann, “Shakespeare’s life”, pp. 1-12; John H. Astington, “Playhouses, players, and playgoers in Shakespeare’s time”, pp. 99-113
Stephen Greenblatt, “General Introduction”, in The Norton Shakespeare, New York, Norton, 1997, pp. 1-65
Frank Kermode, Il linguaggio di Shakesepare, Milano, Bompiani, 2000, pp. 13-33
Giorgio Melchiori, “Shakespeare e il mestiere del teatro”, in Shakespeare, Bari, Laterza, 2005, pp. 3-25
John Peck and Martin Coyle, How to Study a Shakespeare Play, London, Macmillan, 1985, pp. 3-15
Kiernan Ryan, Shakespeare, London, Harvester Wheatsheaf, 1989, pp. 1-14
E.M.W. Tillyard, “L'immagine del mondo degli elisabettiani”, in Claudia Corti, a cura di, Il Rinascimento, Bologna, Il Mulino, 1994, pp. 59-68
Teaching methods
Assessment methods
Erasmus or Overseas students could sit the exam as the Italian
students or write an essay (about 10-15 pages), whose topic must be
approved by the teacher.
Teaching tools
Office hours
See the website of Gino Scatasta